See German post.

Nightshift explored the work of women in relation to politics, film, desire, and society.

see German post.

A reprint of the yearly indexes from 1975 to 1983, supplemented by the the index for 1984 which was still missing.

see German post.

The titles of Norman's films all hint at the struggle to assert an Afro-American identity in a world shaped by whites.

see German post.

see German post.

The first edition of Rosa Mercedes online journal. An audio journey with Marianna Maruyama through the Farocki Now Academy in Berlin

See German post.

Logik des Gefühls: What happens? Nothing much. […] Where is it set? In an in-between space, between lost love and a coming love. Winter. Berlin. 1981.

See German post.

News from the archive: INSTRUCTIONS ON HOW TO PULL OFF POLICE HELMETS and UNTITLED OR: NIXON COMES TO BERLIN, both made in 1969.

HaFi presents the film PROFESSION: DOCUMENTARIST, followed by a discussion between Shirin Barghnavard and Constanze Ruhm

see German post.

In the framework of the "Farocki Now" Academy, the UdK (University of the Arts) Berlin organises a LARP. Roles are still available upon registration.

For the second Harun Farocki Residency we have invited the Tehran-based Iranian filmmaker and editor Shirin Barghnavard to Berlin for three months.

see German post

A forum for workshops, presentations, and debates which explore the contemporary relevance of Harun Farocki’s work and thought, placing it in new contexts and activating its productive potential

See German post.

Tonight: Opening of the retrospective of Harun Farocki's work for cinema and television at Kino Arsenal.

From “A for Adorno” to “Z for Zidane” – an ABCs of the Essay Film accompanied by a short text Farocki wrote in 1987.

A selection of materials pertaining to the film "Before Yor Eyes - Vietnam" introduced by a commentary penned by the Harun Farocki Institut.

See German post.

See German post.

Political commitment, thirst for research and stamina. A film by Ogawa Productions.

Factories and families as places of exploitation, which don’t just have to be interpreted but also changed.

Documentary filmmaker Gerhard Benedikt Friedl describes Helmut Färber's method of teaching film history.

Helmut Färber’s 80th anniversary was celebrated by some (German language) texts in the media

A mythological road movie, a squatter and hacker story.

See German post.

Kevin B. Lee about Farocki's working paper "What Ought to Be Done".

The talk will include the screening of "Ronny und Harun spielen Theater" which is a short documentary of a staged scene from “Etwas wird sichtbar” (“Before Your Eyes Vietnam”), 1982.

See German post.

Formulating a poetic framework to explore the contemporary landscape of media and terror.

A brilliant (and moving) lesson of how to navigate a post-cinema small screen reality.

Harun Farocki saw the film in 1971 at the Hamburger Filmschau. In the succeeding years, he worked closely with Engström.

Kevin B. Lee will give a „light-typing lecture“ introducing his works and practice.

The blog of the HaFI residency publishes the immediate and informal experiences made by the HaFI residency fellows.

See German post.

See German post.

Kevin B. Lee will be the first guest of the Harun Farocki residency from the middle of December onwards

Architecture, Instructional Technology, and the Social Production of Pedagogical Space Around 1970

Letters exchanged between Harun Farocki, Peter Weiss and Westdeutscher Runfunk (WDR): A glimpse at the production history of "On Display: Peter Weiss".

For the Harun Farocki Institut, Peter Weiss’ 100th birthday on November 8, 2016 meant an opportunity to take a closer look at Farocki’s WDR program “On display: Peter Weiss”.

A guided tour followed by a screening and a talk with Carles Guerra and Bert Rebhandl.

See German post.

We were isolated individuals and simultaneously subsumed into a totality* 


See German post.

‘What is navigation?’ inquires the curatorial seminar 2016/17 of the CCC Research-Based Master Programms / Visual Arts Department of HEAD – Geneva.

Expropriating Television.

The Harun Farocki Institut organizes Farocki Now - A Temporary Academy as a component of the “Harun Farocki Retrospective”.

A working paper by Farocki (1975/76), a commentary by Tom Holert, Doreen Mende and Volker Pantenburg followed by a letter by Peter Nestler.

The Institut's first public appearance at Berlinale 2016. A graffiti by Harun Farocki.

Material to investigate the present, the future past. Impressions from the archive of the Farocki Institut.