November 2017: Instructions on how to Pull off Police Helmets
For the Berlin retrospective of Harun Farocki’s work, we made an effort to find and digitize as many hitherto unknown films from the archives of television channels as possible. A few gaps in the filmography remained – including the two short spots INSTRUCTIONS ON HOW TO PULL OFF POLICE HELMETS and UNTITLED OR: NIXON COMES TO BERLIN, both made in 1969.
Farocki presumed the films to be lost. Surprisingly, they resurfaced just now, in November 2017. Thomas Giefer, dffb student of the year 1967 and one of the 18 students relegated in 1968, found them among the films he kept from the time.
Here’s an image from INSTRUCTIONS ON HOW TO PULL OFF POLICE HELMETS, filmed from the Steenbeck by Giefer.
Farocki about the film: »According to Fritz J. Raddatz, Rosa Luxemburg cried when she read Marx’s concept of value. I was just as disappointed by the Cine-Tracts made in May 1968 in Paris and shown shortly afterwards in Berlin.
I must have been expecting something more like television news coverage; in much the same way, each crowd which saw our handbill films during those years was similarly disappointed. Because we didn’t make ‘real’ films, as my mother called them, it seemed to them that their cause wasn’t being acknowledged in suitably official form, something which workers’ films and Fassbinder were later to achieve.
We made this spot during one of the many breaks in filming a somewhat reckless film about playgroups by Susanne Beyeler. Wolfgang Gremm stripped naked on a flat roof and played a policeman. We played on the anti-humanist provocation of showing, purely technically, how to fight a policeman, but didn’t go so far as to use an androgynous, long-haired actor – something which Gremm, the fattest and shortest-haired of us all, accepted with a grin.«
November 30th, 2017, Archive / Showcase
Brought to our attention by Derek Gregory via his resourceful Geographical Imaginations blog: an open call for contributions to the “Corona Notebooks” of Warscapes, a recommended independent online magazine “that provides a lens into current conflicts across the world.” Warscapes is looking for short, 2-3 minute videos “of yourself thinking about this pandemic, maybe accessing a previous memory, maybe reporting on an injustice, maybe narrating a sweet fragment from your daily life, maybe recounting a second chance that this pandemic gave you, maybe telling us about a loved one you reconnected with, maybe you’ve seen a movie or read a book that was powerful, maybe telling us about having the illness. The tone, the tale, the genre and the language is yours to choose. There is an overwhelming amount of news and information but we will together weave an emotionally vibrant and artistic tapestry.”
April 3rd, 2020, Tom
Almost too good to be true in these times of pandemically enforced streaming: Means TV claims to be “the world’s first worker-owned, post-capitalist streaming service,” “entirely funded by people like you.” It has “a library of films, documentaries, and shows with new programming added all the time,” as well “live weekly shows covering news, the working class, gaming and sports. All available to subscribers for $10/month across desktop, mobile and smart TV devices like Roku, Fire and Apple TV. No advertisements or product placements. No corporate backers or VC cash ever.” See also the respective article at Hyperallergic.
April 1st, 2020, Tom
After all the buzz and clamor caused by the 2019 re-opening of the extended MoMA and the much celebrated rehang of its permanent collection, N+1 publishes a sobering curatorial fantasy (by Claire Bishop and Nikki Columbus) on what should have been done instead to come to terms with the “outrageous disconnect between saying and doing at this museum—the brazen hypocrisy and superficial multiculturalism.”
January 8th, 2020, HaFI