Interface

Brought to our attention by Derek Gregory via his resourceful Geographical Imaginations blog: an open call for contributions to the “Corona Notebooks” of Warscapes, a recommended independent online magazine “that provides a lens into current conflicts across the world.” Warscapes is looking for short, 2-3 minute videos “of yourself thinking about this pandemic, maybe accessing a previous memory, maybe reporting on an injustice, maybe narrating a sweet fragment from your daily life, maybe recounting a second chance that this pandemic gave you, maybe telling us about a loved one you reconnected with, maybe you’ve seen a movie or read a book that was powerful, maybe telling us about having the illness. The tone, the tale, the genre and the language is yours to choose. There is an overwhelming amount of news and information but we will together weave an emotionally vibrant and artistic tapestry.”

April 3rd, 2020, Tom

Almost too good to be true in these times of pandemically enforced streaming: Means TV claims to be “the world’s first worker-owned, post-capitalist streaming service,” “entirely funded by people like you.” It has “a library of films, documentaries, and shows with new programming added all the time,” as well “live weekly shows covering news, the working class, gaming and sports. All available to subscribers for $10/month across desktop, mobile and smart TV devices like Roku, Fire and Apple TV. No advertisements or product placements. No corporate backers or VC cash ever.” See also the respective article at Hyperallergic.

April 1st, 2020, Tom

After all the buzz and clamor caused by the 2019 re-opening of the extended MoMA and the much celebrated rehang of its permanent collection, N+1 publishes a sobering curatorial fantasy (by Claire Bishop and Nikki Columbus) on what should have been done instead to come to terms with the “outrageous disconnect between saying and doing at this museum—the brazen hypocrisy and superficial multiculturalism.”

January 8th, 2020, HaFI
moreless news

The Harun Farocki Institut is part of an informal network of individuals, groups, and institutions which feel connected to the person, the ideas, and the work of Harun Farocki. The HaFI does not “represent” this network, however it is happy to work as its agent, mediator, and facilitator. As a formally registered organization the HaFI may have its official bodies and committees, however it effectively extends beyond the borders of this – very moderate – organizational infrastructure.

Anyone who shares one or all of the institute’s concerns can and should feel themselves to be a member of the HaFI. Since the founding phase of the HaFI there have been numerous meeting of the network and information about the institute’s activities have been disseminated within the network via newsletters, Facebook, and the website. At the same time the network is the most important resource for the work of the institute. Suggestions, criticism, proposals, project ideas, and cooperation concepts from the network are essential if the HaFI is to develop.

Institutions belonging to the HaFI network include:

Archive Books/Archive Kabinett

Arsenal – Institut für Film und Videokunst e.V.

basis voor actuele kunst (bak)

buerodb.de

CCC Research Master and PhD-Forum, Visual Arts Department, HEAD Genève

Deutsche Kinemathek

Dutch Art Institute

e-flux Journal

Europäische Medienwissenschaft, Potsdam

Goethe-Institut

Harun Farocki GbR

Haus der Kulturen der Welt Berlin

MASS Alexandria

Motto Books

neuer berliner kunstverein (n.b.k.)

Radical Film Network Meeting Berlin

ruangrupa

SAVVY contemporary

silent green Kulturquartier

School of Theater, Film and Media Arts, Temple University