Interface

On Friday, April 6, 2021, at 8 p.m., Akademie Schloss Solitude will host a Zoom event with former HaFI Residency fellowship holder Shirin Barghnavard about her film “Invisible” (2017). Moderated by Doreen Mende. To register, click here.

April 14th, 2021

The magazine MONOPOL currently features an interview (in German) with Shirin Barghnavard about her film “Invisible,” which she conceived and shot during her HaFI residency in 2017.

April 14th, 2021

via Hyperallergic on the environmental impact of blockchain referring to recent NFT (non-fungible token) art sales: “This is not the first time the art world has come under scrutiny for being on the wrong side of the climate conversation. Artists and activists have protested everything from the carbon footprint of physical art fairs to the fossil fuel money funding major museums. But some say the energy consumption of cryptocurrencies is particularly egregious, and research shows it’s relatively easily quantifiable. A study by Cambridge University, for instance, estimates that bitcoin uses more electricity per year than the entire nation of Argentina. (Ethereum mining consumes a quarter to half of what Bitcoin mining does, but one transaction uses more power than an average US household in a day, according to the Institute of Electrical and Electronics Engineers.)”

 

Nicholas Mirzoeff on “Artificial vision, white space and racial surveillance capitalism”: “Based as it is on ‘epidermalization’ (the assertion of absolute difference based on relative differences in skin color), AI’s racial surveillance deploys an all-too-familiar racialized way of seeing operating at plan-etary scale. It is the plantation future we are now living in. All such operations take place in and via the new imagined white space of technology known as the cloud. In reality, a very material arrangement of servers and cables, the cloud is both an engine of high-return low-employment capitalism and one of the prime drivers of carbon emissions.”

 

Sara Ahmed on the performativity of disgust (from The Cultural Politics of Emotion, 2004): “To name something as disgusting is to transfer the stickiness of the word ‘disgust’ to an object, which henceforth becomes generated as the very thing that is spoken. The relationship between the stickiness of the sign and the stickiness of the object is crucial to the performativity of disgust as well as the apparent resistance of disgust reactions to ‘newness’ in terms of the generation of different kinds of objects. The object that is generated as a disgusting (bad) object through the speech act comes to stick. It becomes sticky and acquires a fetish quality, which then engenders its own effects.”

November 7th, 2020
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Projects / Research
Dossier: Westdeutscher Rundfunk in the 1970s

Texts and documents concerning the production context at "Westdeutscher Rundfunk", Cologne

April 6th, 2019 — Projects / Research
HaFI 004 [Material]: Articles on Helmut Färber

Helmut Färber’s 80th anniversary was celebrated by some (German language) texts in the media

April 26th, 2017 — Projects / Research
Essay Film Festival 2017: Thinking Cinema on Television

See German post.

March 10th, 2017 — Projects / Research
HaFI 003 [Material]: From the ARSENAL archiv

See German post.

November 30th, 2016 — Projects / Research
Exhibition: Learning Laboratories, December 3, 2016 – February 5, 2017, bak Utrecht

Architecture, Instructional Technology, and the Social Production of Pedagogical Space Around 1970

November 30th, 2016 — Projects / Research
HaFI 003 [Material]: Unedited interview sequences

For the Harun Farocki Institut, Peter Weiss’ 100th birthday on November 8, 2016 meant an opportunity to take a closer look at Farocki’s WDR program “On display: Peter Weiss”.

November 8th, 2016 — Projects / Research
HaFI 002 [Material]: Appeal for the creation of a national “cinemathèque”

See German post.

October 25th, 2016 — Projects / Research
HaFI 002 [Material]: Reader’s letter from Werner Dütsch

See German post.

September 15th, 2016 — Projects / Research
Curatorial Seminar: What is navigation? September 2016 – June 2017, HEAD, Geneva

‘What is navigation?’ inquires the curatorial seminar 2016/17 of the CCC Research-Based Master Programms / Visual Arts Department of HEAD – Geneva.

September 5th, 2016 — Projects / Research
HaFI 002 [Material]: A Letter by Joachim von Mengershausen

Expropriating Television.

September 1st, 2016 — Projects / Research