This chapter of Rosa Mercedes 03 focuses on Skip Norman’s time at Deutsche Film- und Fernsehakademie Berlin (DFFB) where he started studying film as one the first-year students in 1966.
Apart from directing Riffi (1966), Blues People (1968), Cultural Nationalism (1968), and his thesis film Strange Fruit (1969), Norman was a prolific cinematographer collaborating closely with other students including Helke Sander, Holger Meins, Johannes Beringer, and Harun Farocki.
December 2021 — Rosa Mercedes / 03 / C
A comprehensive research on transnational learning at the DFFB by Madeleine Bernstorff.
December 2021 — Rosa Mercedes / 03 / C
An essay by Karina Griffith on Black Femininity in Skip Norman's Strange Fruit.
December 2021 — Rosa Mercedes / 03 / C
A conversation between Greg de Cuir Jr and Michael Boyce Gillespie on Skip Norman.
December 2021 — Rosa Mercedes / 03 / C