Rosa Mercedes / 03 / C

This chapter of Rosa Mercedes 03 focuses on Skip Norman’s time at Deutsche Film- und Fernsehakademie Berlin (DFFB) where he started studying film as one the first-year students in 1966.

Editorial: Skip Norman. DFFB and Beyond

Apart from directing Riffi (1966), Blues People (1968), Cultural Nationalism (1968), and his thesis film Strange Fruit (1969), Norman was a prolific cinematographer collaborating closely with other students including Helke Sander, Holger Meins, Johannes Beringer, and Harun Farocki.

December 2021 — Rosa Mercedes / 03 / C