Interface

On the occasion of the film festival “Reconstructing Realities,” the Broadway Cinematheque in Hong Kong will show the film “How to live in FRG” (1990) from Harun Farocki.
The screening will take place on Saturday, July 11, 2:30 pm (local time) at the Goethe Institut Hong Kong.

Reconstructing Realities – A Film Programme to Celebrate the 50th Anniversary of the Berlinale Forum

The screening will be followed with a talk with Doreen Mende from the Harun Farocki Institut.
The talk will be public via Zoom. A link will follow shortly.

https://www.goethe.de/ins/cn/de/sta/hon/ver.cfm?fuseaction=events.detail&event_id=21884136&

July 8th, 2020, HaFI

Avery F. Gordon, in an interview conducted by Katherine Hite and Daniela Jara in Memory Studies:  “Non-participation is one modality of what I call being in-difference. Being in-difference is a political consciousness and a sensuous knowledge, a standpoint and a mindset for living on better terms than we’re offered, for living as if you had the necessity and the freedom to do so, for living in the acknowledgement that, despite the overwhelming power of all the systems of domination which are trying to kill us, they never quite become us. They are, as Cedric J Robinson used to say, only one condition of our existence or being. Running away, living apart, squatting, communing, feral trading, bartering, self-managed currencies, human, debt, labour, knowledge strikes, boycott, divestment, non-policing, throwing your shoe at an occupying president: the ways of non-participation in the given order of things are many, varied and hard to summarize. And they are taken up for a variety of reasons, including the failure or irrelevance of states and the US–European post–World War II social movement model.”

July 7th, 2020, Tom

Denise Ferreira da Silva via Canadian Art: “Visuality or rather visualizability—being available via social media and accessible through electronic gadgets—seems to have become the main (if not the sole) criterion for reality, which becomes crucial for the ethical-political demands for the protection of black lives, for state accountability and for justice. If that is so, the only way is through these conditions of representation. I mean, the creative move first takes the visualizable as it is, that is, as a twice removed re/composition (at the same time a live streaming, news reporting and documenting) of the scene of violence which only tells us that it happens. It exposes the excess that is the state’s use of total violence, of law enforcement as technique of racial subjugation, while simultaneously removing the black person (the father, the sister, the friend) out of the scene of violence and its visualization. It does so by restoring the dimensions of their existence that the camera cannot capture. That is, the creative move must protect (as an ethical gesture) the black person (keeping her obscurity) in the excess that is the very visualization of the scene of total violence.”

June 28th, 2020, Tom
moreless news
HaFI 011: Frieda Grafe: Souvenirs, Origins, Found Fiction

A small selection of texts written by the outstanding film critic and translator Frieda Grafe, complemented by a speech from Harun Farocki.

April 22nd, 2020, Projects / Publication
HaFI 010: Werner Dütsch: WDR – As You See – Lola Montez

The booklet is dedicated to the WDR editor Werner Dütsch (1939-2018), who produced numerous films from Harun Farocki.

August 4th, 2019, Projects / Publication
Writings, Vol. 4: I have enough!

New publication: Volume 4 of Farocki's Writings.

August 4th, 2019, Projects / Publication
HaFI 009: Ingemo Engström / Gerhard Theuring: Escape Route to Marseilles

In 1977 Ingemo Engström and Gerhard Theuring embark on a journey through France. They trace the escape route of the German emigration in France 1940/41 (...).

April 24th, 2019, Projects / Publication
Writings, Vol. 3: My Nights with the Leftists

see German post

September 29th, 2018, Projects / Publication
HaFI 008: Harun Farocki: On Ici et ailleurs

Godard stopped traveling to foreign countries, his camera must not even drive around much by car.

September 15th, 2018, Projects / Publication
Filmkritik: Index 1957–1974

See German post.

July 4th, 2018, Projects / Publication
Filmkritik, Issue 335/336, Nov/Dec 1984

With a delay of over 33 years the last unpublished issue of the magazine, Filmkritik No. 335-336, Nov-Dec 1984, will now appear. This edition is dedicated to the filmmaker Emile de Antonio.

June 30th, 2018, Projects / Publication
HAFI 007: Filmkritik: Index: 1975–1984

A reprint of the yearly indexes from 1975 to 1983, supplemented by the the index for 1984 which was still missing.

April 24th, 2018, Projects / Publication
Writings, Vol. 2: Kaja Silverman / Harun Farocki: Speaking about Godard (German edition)

See German post.

December 16th, 2017, Projects / Publication
Writings, Vol. 1: Harun Farocki: Ten, Twenty, Thirty, Fourty

See German post.

September 18th, 2017, Projects / Publication
HaFI 006: Christa Blümlinger/Harun Farocki: The ABCs of the Essay Film

From “A for Adorno” to “Z for Zidane” – an ABCs of the Essay Film accompanied by a short text Farocki wrote in 1987.

September 8th, 2017, Projects / Publication
HaFI 005: Harun Farocki: Before Your Eyes – Vietnam

A selection of materials pertaining to the film "Before Yor Eyes - Vietnam" introduced by a commentary penned by the Harun Farocki Institut.

September 8th, 2017, Projects / Publication
HaFI 004: Gerhard Benedikt Friedl: An Approach by Helmut Färber

Documentary filmmaker Gerhard Benedikt Friedl describes Helmut Färber's method of teaching film history.

May 10th, 2017, Projects / Publication
HaFI 003: Harun Farocki: On Display: Peter Weiss

Letters exchanged between Harun Farocki, Peter Weiss and Westdeutscher Runfunk (WDR): A glimpse at the production history of "On Display: Peter Weiss".

November 11th, 2016, Projects / Publication
HaFI 002: Harun Farocki: What Ought to Be Done

A working paper by Farocki (1975/76), a commentary by Tom Holert, Doreen Mende and Volker Pantenburg followed by a letter by Peter Nestler.

August 17th, 2016, Projects / Publication
HaFI 001: Becoming visible

The Institut's first public appearance at Berlinale 2016. A graffiti by Harun Farocki.

February 7th, 2016, Projects / Publication
HaFI 000: A Day at the Archive

Material to investigate the present, the future past. Impressions from the archive of the Farocki Institut.

February 4th, 2016, Projects / Publication