HaFI 004: Gerhard Benedikt Friedl: An Approach by Helmut Färber

Helmut Färber, born in 1937, has been dedicating his life to film since the late 1950s: as a film critic (Filmkritik, Süddeutsche Zeitung, Trafic), teacher (HFF München and dffb Berlin), film historian and publisher of unique books (on Mizoguchi, Griffith, Renoir, amongst others), as well as occasional author and director of TV programs (for Westdeutscher Rundfunk/WDR). The impression he left on generations of filmmakers and artists, writers and thinkers is seldom acknowledged but can hardly be overestimated.

In “An Approach by Helmut Färber,” an unpublished text written in 2007, documentary filmmaker Gerhard Friedl (Knittelfeld. A Town without a History, Wolff von Amerongen. Did He Commit Bankruptcy Offences?) describes his experience of Färber’s courses at film school – a method of scrupulous, close analysis at the editing table that also played a crucial role in Harun Farocki’s teaching. Farocki got to know Färber in the 1970s and remained deeply indebted to his thoughts and methods throughout his career.

HaFI 004, translated by Ted Fendt, is published at the occasion of Helmut Färber’s 80th birthday and at a moment when Gerhard Friedl, who died in 2009, would have turned 50.

Available for 4 Euro here.

May 10th, 2017, Projects / Publication
Interface

Brought to our attention by Derek Gregory via his resourceful Geographical Imaginations blog: an open call for contributions to the “Corona Notebooks” of Warscapes, a recommended independent online magazine “that provides a lens into current conflicts across the world.” Warscapes is looking for short, 2-3 minute videos “of yourself thinking about this pandemic, maybe accessing a previous memory, maybe reporting on an injustice, maybe narrating a sweet fragment from your daily life, maybe recounting a second chance that this pandemic gave you, maybe telling us about a loved one you reconnected with, maybe you’ve seen a movie or read a book that was powerful, maybe telling us about having the illness. The tone, the tale, the genre and the language is yours to choose. There is an overwhelming amount of news and information but we will together weave an emotionally vibrant and artistic tapestry.”

April 3rd, 2020, Tom

Almost too good to be true in these times of pandemically enforced streaming: Means TV claims to be “the world’s first worker-owned, post-capitalist streaming service,” “entirely funded by people like you.” It has “a library of films, documentaries, and shows with new programming added all the time,” as well “live weekly shows covering news, the working class, gaming and sports. All available to subscribers for $10/month across desktop, mobile and smart TV devices like Roku, Fire and Apple TV. No advertisements or product placements. No corporate backers or VC cash ever.” See also the respective article at Hyperallergic.

April 1st, 2020, Tom

After all the buzz and clamor caused by the 2019 re-opening of the extended MoMA and the much celebrated rehang of its permanent collection, N+1 publishes a sobering curatorial fantasy (by Claire Bishop and Nikki Columbus) on what should have been done instead to come to terms with the “outrageous disconnect between saying and doing at this museum—the brazen hypocrisy and superficial multiculturalism.”

January 8th, 2020, HaFI
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