Rosa Mercedes / 03 / Contexts

This section provides a glossary of different contexts related to Skip Norman’s life and work. New entries will be added continuously during the research process.

03/Contexts
Bobby Seale, Copenhagen, 1969

Skip Norman/Contexts: One evening in March 1969, thirty-three-year-old Bobby Seale gave a speech in the packed-to-capacity main hall of Copenhagen’s Grundtvigs Hus.

March 2022 — Rosa Mercedes / 03 / Contexts
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Distribution

Skip Norman/Contexts: Skip Norman’s films made between 1966 and 1969 while a student at the DFFB were followed by the independent productions On Africa and Washington DC, November 1970.

February 2022 — Rosa Mercedes / 03 / Contexts
03/Contexts
Blackman’s Volunteer Army of Liberation

Skip Norman/Contexts: The Blackman’s Volunteer Army of Liberation (not to be confused with the Black Liberation Army), was one of many Black radical groups affiliated with the Black Muslim Movement in the late 1960s.

January 2022 — Rosa Mercedes / 03 / Contexts
03/Contexts
Ohio State University, Columbus

Skip Norman/Contexts: In 1976, Skip Norman began studying for a BA in the Liberal Arts at the College of Arts and Sciences, the Ohio State University in Columbus, Ohio.

January 2022 — Rosa Mercedes / 03 / Contexts
03/Contexts
LeRoi Jones / Amiri Baraka

Skip Norman/Contexts: Blues People, the title of Skip Norman’s notorious 1968 short that features the naked bodies and voices of a white woman and a Black man, quotes the title of LeRoi Jones’ book of 1963, Blues People: Negro Music in White America.

December 2021 — Rosa Mercedes / 03 / Contexts
03/Contexts
Klaus Wildenhahn

Skip Norman/Contexts: Impressed by the direct cinema of Albert Maysles, Richard Leacock, and D. A. Pennebaker, Klaus Wildenhahn (1930–2018) translated their methods to the West German context.

December 2021 — Rosa Mercedes / 03 / Contexts
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Westdeutscher Rundfunk (WDR)

Skip Norman/Contexts: From the late 1960s to the 1990s, the WDR “Filmredaktion” offered remarkable production opportunities for young filmmakers, many of them graduates (or relegates) from the new film schools in Berlin and Munich.

November 2021 — Rosa Mercedes / 03 / Contexts
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Camerawork

Skip Norman/Contexts: During his years as a student at the Deutsche Film- und Fernsehakademie Berlin (DFFB) between 1966 and 1969, Skip Norman was as prolific a cinematographer as he was a director.

October 2021 — Rosa Mercedes / 03 / Contexts
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Festivals

Skip Norman/Contexts: In a document compiled for the eighteenth birthday of the Deutsche Film- und Fernsehakademie Berlin (DFFB) in 1984, Skip Norman lists the festivals where the films he directed were screened.

October 2021 — Rosa Mercedes / 03 / Contexts