Filmkritik, Issue 335/336, Nov/Dec 1984
In October 1984, Arno Luik conducted an extensive interview with the American documentary filmmaker Emile de Antonio. “Dee” revisits the beginnings of the New American Cinema and Jonas Mekas, the New York art scene around John Cage, Robert Rauschenberg and others, his own films like IN THE YEAR OF THE PIG, PAINTERS PAINTING, and UNDERGROUND. He also remembers dubious business deals involving nylon ropes and face masks of the US Army.
The resulting 40-page monologue was meant to be an integral part of the issue 335/336 of the German film journal Filmkritik, conceived by Jürgen Ebert. The galley proofs were already finished, but the money to pay the printer was lacking. Filmkritik ceased existing.
The previously unpublished issue will be released during the “Edit Film Culture!” festival. It will also be available in book stores and directly via Brinkmann & Bose.
More information on our contribution with Edit Film Culture! here.
* The publication Filmkritik Nr. 335–336, Nov.-Dez. 1984 is realised within the framework of Edit Film Culture!, a project by silent green Film Feld Forschung gGmbH in cooperation with Jonas Mekas/Anthology Film Archives, Arsenal – Institut für Film und Videokunst e. V., SAVVY Contemporary e.V., Harun Farocki Institut, Spector Books and Lithuanian Culture Institute. Funded by Hauptstadtkulturfonds.
June 30th, 2018, Projects / Publication
Brought to our attention by Derek Gregory via his resourceful Geographical Imaginations blog: an open call for contributions to the “Corona Notebooks” of Warscapes, a recommended independent online magazine “that provides a lens into current conflicts across the world.” Warscapes is looking for short, 2-3 minute videos “of yourself thinking about this pandemic, maybe accessing a previous memory, maybe reporting on an injustice, maybe narrating a sweet fragment from your daily life, maybe recounting a second chance that this pandemic gave you, maybe telling us about a loved one you reconnected with, maybe you’ve seen a movie or read a book that was powerful, maybe telling us about having the illness. The tone, the tale, the genre and the language is yours to choose. There is an overwhelming amount of news and information but we will together weave an emotionally vibrant and artistic tapestry.”
April 3rd, 2020, Tom
Almost too good to be true in these times of pandemically enforced streaming: Means TV claims to be “the world’s first worker-owned, post-capitalist streaming service,” “entirely funded by people like you.” It has “a library of films, documentaries, and shows with new programming added all the time,” as well “live weekly shows covering news, the working class, gaming and sports. All available to subscribers for $10/month across desktop, mobile and smart TV devices like Roku, Fire and Apple TV. No advertisements or product placements. No corporate backers or VC cash ever.” See also the respective article at Hyperallergic.
April 1st, 2020, Tom
After all the buzz and clamor caused by the 2019 re-opening of the extended MoMA and the much celebrated rehang of its permanent collection, N+1 publishes a sobering curatorial fantasy (by Claire Bishop and Nikki Columbus) on what should have been done instead to come to terms with the “outrageous disconnect between saying and doing at this museum—the brazen hypocrisy and superficial multiculturalism.”
January 8th, 2020, HaFI