Filmkritik, Issue 335/336, Nov/Dec 1984
In October 1984, Arno Luik conducted an extensive interview with the American documentary filmmaker Emile de Antonio. “Dee” revisits the beginnings of the New American Cinema and Jonas Mekas, the New York art scene around John Cage, Robert Rauschenberg and others, his own films like IN THE YEAR OF THE PIG, PAINTERS PAINTING, and UNDERGROUND. He also remembers dubious business deals involving nylon ropes and face masks of the US Army.
The resulting 40-page monologue was meant to be an integral part of the issue 335/336 of the German film journal Filmkritik, conceived by Jürgen Ebert. The galley proofs were already finished, but the money to pay the printer was lacking. Filmkritik ceased existing.
The previously unpublished issue will be released during the “Edit Film Culture!” festival. It will also be available in book stores and directly via Brinkmann & Bose.
More information on our contribution with Edit Film Culture! here.
* The publication Filmkritik Nr. 335–336, Nov.-Dez. 1984 is realised within the framework of Edit Film Culture!, a project by silent green Film Feld Forschung gGmbH in cooperation with Jonas Mekas/Anthology Film Archives, Arsenal – Institut für Film und Videokunst e. V., SAVVY Contemporary e.V., Harun Farocki Institut, Spector Books and Lithuanian Culture Institute. Funded by Hauptstadtkulturfonds.
June 30th, 2018, Projects / Publication
David Graeber (1961-2020) on What Would It Take (from his The Democracy Project. A History, a Crisis, a Movement, 2013, p. 193): “We have little idea what sort of organizations, or for that matter, technologies, would emerge if free people were unfettered to use their imagination to actually solve collective problems rather than to make them worse. But the primary question is: how do we even get there? What would it take to allow our political and economic systems to become a mode of collective problem solving rather than, as they are now, a mode of collective war?”
September 7th, 2020, Tom
T.J. Demos on why cultural practitioners should never surrender, via tranzit.sk: “For artists, writers, and curators, as art historians and teachers, the meaning-production of an artwork is never finished, never fully appropriated and coopted, in my view, and we should never surrender it; the battle over significance is ongoing. We see that battle rise up in relation to racist and colonial monuments these days in the US, the UK, and South Africa. While the destruction of such monuments results from and is enabling of radical politics, it’s still not enough until the larger institutions that support and maintain their existence as well as the continuation of the politics they represent are also torn down. This is urgent as well in the cultural sphere, including the arts institutions, universities, art markets, discursive sphere of magazines and journals, all in thrall to neoliberalism, where we must recognize that it’s ultimately inadequate to simply inject critical or radical content into these frameworks, which we know excel at incorporating those anti-extractivist expressions into further forms of cultural capital and wealth accumulation. What’s required is more of the building of nonprofit and community-based institutions, organizing radical political horizons and solidarity between social formations.”
August 21st, 2020, Tom
Bernard Stiegler, quoted from The Neganthropocene (trans. Daniel Ross): “Does anyone really believe that it is possible to ‘solve’ the problems of climate change, habitat destruction and cultural destruction without addressing the consumerist basis of the present macro-economic system, or vice versa, or without addressing the way in which this system depletes the psychic energy required to find the collective will, belief, hope and reason to address this planetary challenge? Can this consumerism really survive the coming wave of automation that threatens to decimate its customer base and undermine the ‘consumer confidence’ that is fundamental to its perpetual growth requirements, themselves antithetical, once again, to the problems of biospherical preservation?”
August 14th, 2020, Tom