Filmkritik Nr. 335–336, Nov.-Dez. 1984

Im Oktober 1984 führte Arno Luik ein mehrtägiges Gespräch mit dem amerikanischen Dokumentarfilmer Emile de Antonio. Es geht um die Anfänge des New American Cinema und Jonas Mekas, um die New Yorker Kunstszene mit John Cage, Robert Rauschenberg und anderen, um de Antonios Filme wie IN THE YEAR OF THE PIG, PAINTERS PAINTING und UNDERGROUND, um abenteuerliche Geschäfte mit Nylonseilen und Gesichtsmasken der US Army.

Das Gespräch wäre zentraler Bestandteil der Filmkritik-Ausgabe 335/336 gewesen, die von Jürgen Ebert konzipiert worden war. Die Texte waren bereits im Satz, dann fehlte das Geld für den Druck. Die Filmkritik stellte ihr Erscheinen ein.

Jetzt wird die damals nicht veröffentlichte Ausgabe während des Festivals „Edit Film Culture!“ veröffentlicht und darüber hinaus im Buchhandel und beim Verlag Brinkmann & Bose erhältlich.

Mehr Informationen über unseren Beitrag im Rahmen von Edit Film Culture! hier.


* Die Publikation Filmkritik Nr. 335–336, Nov.-Dez. 1984 ist im Rahmen von Edit Film Culture! entstanden, einem Projekt der silent green Film Feld Forschung gGmbH in Zusammenarbeit mit Jonas Mekas/Anthology Film Archives, Arsenal – Institut für Film und Videokunst e. V., SAVVY Contemporary e.V., Harun Farocki Institut, Spector Books und Lithuanian Culture Institute. Gefördert durch den Hauptstadtkulturfonds.

30.06.2018, Projekte / Publikation

David Graeber (1961-2020) on What Would It Take (from his The Democracy Project. A History, a Crisis, a Movement, 2013, p. 193): „We have little idea what sort of organizations, or for that matter, technologies, would emerge if free people were unfettered to use their imagination to actually solve collective problems rather than to make them worse. But the primary question is: how do we even get there? What would it take to allow our political and economic systems to become a mode of collective problem solving rather than, as they are now, a mode of collective war?“

07.09.2020, Tom

T.J. Demos on why cultural practitioners should never surrender, via  „For artists, writers, and curators, as art historians and teachers, the meaning-production of an artwork is never finished, never fully appropriated and coopted, in my view, and we should never surrender it; the battle over significance is ongoing. We see that battle rise up in relation to racist and colonial monuments these days in the US, the UK, and South Africa. While the destruction of such monuments results from and is enabling of radical politics, it’s still not enough until the larger institutions that support and maintain their existence as well as the continuation of the politics they represent are also torn down. This is urgent as well in the cultural sphere, including the arts institutions, universities, art markets, discursive sphere of magazines and journals, all in thrall to neoliberalism, where we must recognize that it’s ultimately inadequate to simply inject critical or radical content into these frameworks, which we know excel at incorporating those anti-extractivist expressions into further forms of cultural capital and wealth accumulation. What’s required is more of the building of nonprofit and community-based institutions, organizing radical political horizons and solidarity between social formations.“

21.08.2020, Tom

Bernard Stiegler, quoted from The Neganthropocene (trans. Daniel Ross): „Does anyone really believe that it is possible to ‘solve’ the problems of climate change, habitat destruction and cultural destruction without addressing the consumerist basis of the present macro-economic system, or vice versa, or without addressing the way in which this system depletes the psychic energy required to find the collective will, belief, hope and reason to address this planetary challenge? Can this consumerism really survive the coming wave of automation that threatens to decimate its customer base and undermine the ‘consumer confidence’ that is fundamental to its perpetual growth requirements, themselves antithetical, once again, to the problems of biospherical preservation?“

14.08.2020, Tom
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