AI and visual ramifications of the crisis
Among the countless troubling aspects of the Covid-19 crisis is the liberating effect it has on AI-based surveillance technologies and policies. Not only does the crisis provide unprecedented opportunities for data extracting tech giants to expand their reach and power. It also enhances the ongoing transformation of global capitalism into a huge, democratically ungovernable laboratory. To a considerable extent, this is also a laboratory of vision, visuality, visualization. For one, there is the variety of infographics, dashboards etc. mentioned in an earlier post.
These maps, diagrams and statistics may enable citizens’ capacities of “reading” the crisis (probably the most influential image by now being the flattened bell curve indicating a possible slowing down of the infection rates), but they also are peculiarly paralyzing. For, ultimately, they remain the very ciphers of authority they have always been.
In another, yet directly related dimension of visual politics dwell the devices to track the infection by controlling/invading individual and group behaviour. “Clearview AI” is the telling, Orwellian name of a particularly shady, privacy-violating facial recognition software firm, deployed in the attempts to control the virus. TH
One more obvious problem is media’s usage of the terrifying 3D art based on microscope images of the coronavirus (such as image by Joao Paulo Burini above, used in the article linked here); the battlestar iconography is a safe bet for those interested in engendering “primal” fears and deep anxieties and thus adds to a feeling of helplessness and passivity that is to be contested. TH
March 15th, 2020, 02 / Rosa Mercedes
Short notice: Jean-Luc Godard, live interview with Lionel Baier (écal/HEAD, Geneva) via Instagram, April 7, 2020, 2.30 pm! Now also available here.
April 7th, 2020, Tom
Brought to our attention by Derek Gregory via his resourceful Geographical Imaginations blog: an open call for contributions to the “Corona Notebooks” of Warscapes, a recommended independent online magazine “that provides a lens into current conflicts across the world.” Warscapes is looking for short, 2-3 minute videos “of yourself thinking about this pandemic, maybe accessing a previous memory, maybe reporting on an injustice, maybe narrating a sweet fragment from your daily life, maybe recounting a second chance that this pandemic gave you, maybe telling us about a loved one you reconnected with, maybe you’ve seen a movie or read a book that was powerful, maybe telling us about having the illness. The tone, the tale, the genre and the language is yours to choose. There is an overwhelming amount of news and information but we will together weave an emotionally vibrant and artistic tapestry.”
April 3rd, 2020, Tom
Almost too good to be true in these times of pandemically enforced streaming: Means TV claims to be “the world’s first worker-owned, post-capitalist streaming service,” “entirely funded by people like you.” It has “a library of films, documentaries, and shows with new programming added all the time,” as well “live weekly shows covering news, the working class, gaming and sports. All available to subscribers for $10/month across desktop, mobile and smart TV devices like Roku, Fire and Apple TV. No advertisements or product placements. No corporate backers or VC cash ever.” See also the respective article at Hyperallergic.
April 1st, 2020, Tom