Pandemic vision

It is one thing to think, speak, post about the coronavirus crisis as an occasion and a subject of media, visual, social and discursive production. This type of analytical-critical approach is well rehearsed. Based on the more or less well-functioning interplay of mental-cognitive reflexes, this methodology ensures that A is considered to be the expression, representation, metonymy, allegory, image, etc. of B, and thus observed accordingly. But it would be something quite different, if everything had to be looked at in a radically different way, if the phenomenologies of the crisis had to be revisited in order to check if they themselves have not been caught up in the crisis.

As sociologist and activist Sandro Mezzadra writes in a widely read and shared blog entry (in Italian on Euronomade, in English translation on the Verso homepage), this global pandemic and the measures taken by the Italian government against it are in fact “merely exacerbating tendencies that have already existed for a while”. Seen from this perspective the pandemic itself would have become an organ or a medium of perception. Ultimately, it would have brought to clear and brutal visibility what until recently had been covered up, ignored, overlooked (and had to be, since the ideological operating systems on which the capitalist world system ran until recently could not have been maintained).

So, what if the crisis is not the “image” of something else, but is itself enabling vision? What if the irreversible situation in which the “world community” is now being united, forced to reimagine itself, has entailed a sudden leap in visibility regarding the global accumulation of crises – not primarily as a result of tireless research, political organizing, artistic productions etc., but rather as correction of the collective sensorium on a gigantic scale? TH

March 20th, 2020, 02 / Rosa Mercedes
Interface

Short notice: Jean-Luc Godard, live interview with Lionel Baier (écal/HEAD, Geneva) via Instagram, April 7, 2020, 2.30 pm! Now also available here.

April 7th, 2020, Tom

Brought to our attention by Derek Gregory via his resourceful Geographical Imaginations blog: an open call for contributions to the “Corona Notebooks” of Warscapes, a recommended independent online magazine “that provides a lens into current conflicts across the world.” Warscapes is looking for short, 2-3 minute videos “of yourself thinking about this pandemic, maybe accessing a previous memory, maybe reporting on an injustice, maybe narrating a sweet fragment from your daily life, maybe recounting a second chance that this pandemic gave you, maybe telling us about a loved one you reconnected with, maybe you’ve seen a movie or read a book that was powerful, maybe telling us about having the illness. The tone, the tale, the genre and the language is yours to choose. There is an overwhelming amount of news and information but we will together weave an emotionally vibrant and artistic tapestry.”

April 3rd, 2020, Tom

Almost too good to be true in these times of pandemically enforced streaming: Means TV claims to be “the world’s first worker-owned, post-capitalist streaming service,” “entirely funded by people like you.” It has “a library of films, documentaries, and shows with new programming added all the time,” as well “live weekly shows covering news, the working class, gaming and sports. All available to subscribers for $10/month across desktop, mobile and smart TV devices like Roku, Fire and Apple TV. No advertisements or product placements. No corporate backers or VC cash ever.” See also the respective article at Hyperallergic.

April 1st, 2020, Tom
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