Public Screening #08: Emile de Antonio: In the King of Prussia, July 11, 2018, Arsenal
Issue 335/336 of Filmkritik in 1984 was supposed to be dedicated to Emile de Antonio. The layout for the texts, including a 40-page conversation between Antonio and Arno Luik, had already been completed, but there was no money left for printing; the magazine ceases to be published. As the HaFI’s contribution to the “Edit Film Culture!” project, the issue is now finally to appear 400 months late via Brinkmann & Bose, conceived by Jürgen Ebert. To accompany the publication, we are showing de Antonio’s IN THE KING OF PRUSSIA (1983) – “a film about the legal process against the “Plowshares Eight‘, eight members of the Christian peace movement in US, who hammered a nuclear warhead to pieces at a weapon’s factory.” (Ebert) The accused play themselves, while the police, jury, and court staff are played by actors, with Martin Sheen as judge Samuel Saulus II.
In the King of Prussia
Emile de Antonio, USA, 1983
35mm, OV/GeS, 92 min
Wednesday July 11, 2018, 6:00 pm
July 2nd, 2018, Event / Projects
Arsenal Cinema 2
Arsenal – Institut für Film und Videokunst e.V.
Potsdamer Strasse 2
Short notice: Jean-Luc Godard, live interview with Lionel Baier (écal/HEAD, Geneva) via Instagram, April 7, 2020, 2.30 pm! Now also available here.
April 7th, 2020, Tom
Brought to our attention by Derek Gregory via his resourceful Geographical Imaginations blog: an open call for contributions to the “Corona Notebooks” of Warscapes, a recommended independent online magazine “that provides a lens into current conflicts across the world.” Warscapes is looking for short, 2-3 minute videos “of yourself thinking about this pandemic, maybe accessing a previous memory, maybe reporting on an injustice, maybe narrating a sweet fragment from your daily life, maybe recounting a second chance that this pandemic gave you, maybe telling us about a loved one you reconnected with, maybe you’ve seen a movie or read a book that was powerful, maybe telling us about having the illness. The tone, the tale, the genre and the language is yours to choose. There is an overwhelming amount of news and information but we will together weave an emotionally vibrant and artistic tapestry.”
April 3rd, 2020, Tom
Almost too good to be true in these times of pandemically enforced streaming: Means TV claims to be “the world’s first worker-owned, post-capitalist streaming service,” “entirely funded by people like you.” It has “a library of films, documentaries, and shows with new programming added all the time,” as well “live weekly shows covering news, the working class, gaming and sports. All available to subscribers for $10/month across desktop, mobile and smart TV devices like Roku, Fire and Apple TV. No advertisements or product placements. No corporate backers or VC cash ever.” See also the respective article at Hyperallergic.
April 1st, 2020, Tom