Public Screening #03: Claudia von Alemann, Es kommt drauf an, sie zu verändern / Marta Rodríguez and Jorge Silva, Chircales, May 16, 2017, Arsenal
May 16, 2017
Arsenal, Cinema 2,
Already during her studies at the Institut für Filmgestaltung der HfG Ulm, Claudia von Alemann was developing cinematic counter-narratives on the social function of the woman in front of and behind the camera. In ES KOMMT DRAUF AN, SIE ZU VERÄNDERN (West Germany 1973), Alemann goes to women’s places of work at the Adler factory in Frankfurt or at Leitz-Optik in Wetzlar, where she examines and makes visible the different forms of female industrial work: factories and families are places of exploitation, which don’t just have to be interpreted but also changed. Marta Rodríguez and Jorge Silva were making CHIRCALES (1966–1972) at the same time in Colombia, a “cine-sociology” (Julianne Burton) about the Castañeda family, a brick-working family who live on the edge of Bogotá.
Es kommt drauf an, sie zu verändern
Claudia von Alemann
FRG 1973 Collaboration with: Mischka Popp
Cinematographer: Dietrich Schubert
16 mm OV 55 min
Chircales (Brick Workers)
Marta Rodríguez and Jorge Silva
16 mm OV/GeS 42 min
Information about both films here (PDF)
May 16th, 2017, Event / Projects
Paul B. Preciado on Indigenous models for “stopping the world,” via Artforum: “Every culture has invented procedures for isolation, for fasting, for breaking the rhythms of eating, sexual activity, and production. Those caesuras serve as techniques for modifying subjectivity, activating a process that disrupts perception and feeling and can ultimately generate a transformation, a new way of becoming. Certain languages of Indigenous shamanism call this process ‘stopping the world.’ And that is literally what happened during the Covid-19 crisis. The capitalist mode briefly stopped. […] we could say (drawing on the Brazilian anthropologist Eduardo Viveiros de Castro’s analysis of Tupi rituals and shamanic practices) that they usually include at least three stages. In the first, the subject is confronted with their mortality; in the second, they see their position in the trophic chain and perceive the energetic connections that unite all living things; in the final stage, they radically modify their desire, which will perhaps allow them to transform, to become someone else.”
July 26th, 2020, Tom
On the occasion of the film festival “Reconstructing Realities,” the Broadway Cinematheque in Hong Kong will show the film “How to live in FRG” (1990) from Harun Farocki.
The screening will take place on Saturday, July 11, 2:30 pm (local time) at the Goethe Institut Hong Kong.
Online booklet: https://bit.ly/bcXForum50
Reconstructing Realities – A Film Programme to Celebrate the 50th Anniversary of the Berlinale Forum
The screening will be followed by the talk “Harun Farocki’s Imitations of Life” with Doreen Mende, co-founder of the Harun Farocki Institut.
Time: Jul 11, 2020 04:00 pm Hong Kong SAR / 10:00 am Berlin time
The talk will be held on Zoom, registration here: https://forms.gle/tyLfKLwBYNUutoLz6
After registration, you will receive an email with the link and the login information to join the talk.
July 8th, 2020, HaFI
Avery F. Gordon, in an interview conducted by Katherine Hite and Daniela Jara in Memory Studies: “Non-participation is one modality of what I call being in-difference. Being in-difference is a political consciousness and a sensuous knowledge, a standpoint and a mindset for living on better terms than we’re offered, for living as if you had the necessity and the freedom to do so, for living in the acknowledgement that, despite the overwhelming power of all the systems of domination which are trying to kill us, they never quite become us. They are, as Cedric J Robinson used to say, only one condition of our existence or being. Running away, living apart, squatting, communing, feral trading, bartering, self-managed currencies, human, debt, labour, knowledge strikes, boycott, divestment, non-policing, throwing your shoe at an occupying president: the ways of non-participation in the given order of things are many, varied and hard to summarize. And they are taken up for a variety of reasons, including the failure or irrelevance of states and the US–European post–World War II social movement model.”
July 7th, 2020, Tom