Public Screening #03: Claudia von Alemann, Es kommt drauf an, sie zu verändern / Marta Rodríguez and Jorge Silva, Chircales, May 16, 2017, Arsenal

May 16, 2017
7.30 pm
Arsenal, Cinema 2,

Already during her studies at the Institut für Filmgestaltung der HfG Ulm, Claudia von Alemann was developing cinematic counter-narratives on the social function of the woman in front of and behind the camera. In ES KOMMT DRAUF AN, SIE ZU VERÄNDERN (West Germany 1973), Alemann goes to women’s places of work at the Adler factory in Frankfurt or at Leitz-Optik in Wetzlar, where she examines and makes visible the different forms of female industrial work: factories and families are places of exploitation, which don’t just have to be interpreted but also changed. Marta Rodríguez and Jorge Silva were making CHIRCALES (1966–1972) at the same time in Colombia, a “cine-sociology” (Julianne Burton) about the Castañeda family, a brick-working family who live on the edge of Bogotá.

Es kommt drauf an, sie zu verändern
Claudia von Alemann
FRG 1973 Collaboration with: Mischka Popp
Cinematographer: Dietrich Schubert
16 mm OV 55 min

Chircales (Brick Workers)
Marta Rodríguez and Jorge Silva
Colombia 1966–1972
16 mm OV/GeS 42 min

Information about both films here (PDF)

May 16th, 2017, Event / Projects
Interface

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May 23rd, 2020, Tom

Naomi Klein on the “Screen New Deal” (via The Intercept): “Calling [Bill] Gates a ‘visionary,’ [New York governor Andrew] Cuomo said the pandemic has created ‘a moment in history when we can actually incorporate and advance [Gates’s] ideas … all these buildings, all these physical classrooms — why with all the technology you have?’ he asked, apparently rhetorically. It has taken some time to gel, but something resembling a coherent Pandemic Shock Doctrine is beginning to emerge. Call it the ‘Screen New Deal.’ Far more high-tech than anything we have seen during previous disasters, the future that is being rushed into being as the bodies still pile up treats our past weeks of physical isolation not as a painful necessity to save lives, but as a living laboratory for a permanent — and highly profitable — no-touch future.”

May 11th, 2020, Tom

Andrea Bagnato on Red Zones, isolation, metaphors, blame, risk and coexistence (at e-flux architecture): “[…] the current manifestation of confinement is better thought of not so much as epidemic control, but as a form of risk displacement: a minority of workers is made to keep the economy going so that a majority of the population can stay at home. And the reverse is true as well: millions of people have to put up with extended confinement so that the risk posed by industrial workers doesn’t grow out of control. In the necropolitical calculations of the State, the physical health of workers and the mental health of everyone else are both a price worth paying.”

May 5th, 2020, Tom
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