Film: INVISIBLE (2019) by Shirin Barghnavard

                                  Poster design (c) Ali Bagheri

Shirin Barghnavard has just completed her new film INVISIBLE, which research, interviews and shooting she realized while on the Harun Farocki residency in Berlin.

Film synopsis:

The Berlin Wall is a metaphor for the concept of separation in this film. While seeing the remnants of the Berlin Wall today, surrounded by excited tourists, taking photographs, we hear the voices of several artists from different backgrounds who talk about their bitter personal experiences imposed on them due to their nationalities. These voices express their protest over the emphasis on the term “Nationality”, a very strong but hidden and invisible wall of today. They believe that stressing on the concept of nationality deepens the boundaries and separation between people, a separation similar to the one that the Berlin Wall created. (SB)

Director’s statement:

As an Iranian, I have always seen discrimination against Iranians who only have Iranian passport. During the research process of this film, I realized that many people from different parts of the world including Europe have the similar issue regarding their nationality. The film reflects the voice of some of these people.
We never decide where to be born. In fact, the context of “Nationality” is imposed on us and will remain attached to us forever, forming a kind of identity for us. But, how conscious we are about it and how we are influenced by it? What is the meaning of “Nationality”? What is its relation to the existence of human being? How it affects our life? What share does “Nationality” get from the history, religion, culture and traditions? What part of “Nationality” is objective and what part of it is subjective? What role does it play in identifying us as individuals and as a nation? Does “Nationality” differ between men and women?
Here, the concept of “Immigration”, as a movement in contrast with the context of “Nationality” can be born and examined too.
How does an immigrant deal with the concept of “Nationality”? How does an immigrant get another “Nationality”? Can anyone forget her/his previous “Nationality”? How does an immigrant consider her/his own “Nationality” in a foreign country?
There are walls around us that are invisible!

                                   All film stills (c) Shirin Barghnavard
February 26th, 2019, 2017 / Residency
Interface

Paul B. Preciado on Indigenous models for “stopping the world,” via Artforum: “Every culture has invented procedures for isolation, for fasting, for breaking the rhythms of eating, sexual activity, and production. Those caesuras serve as techniques for modifying subjectivity, activating a process that disrupts perception and feeling and can ultimately generate a transformation, a new way of becoming. Certain languages of Indigenous shamanism call this process ‘stopping the world.’ And that is literally what happened during the Covid-19 crisis. The capitalist mode briefly stopped. […] we could say (drawing on the Brazilian anthropologist Eduardo Viveiros de Castro’s analysis of Tupi rituals and shamanic practices) that they usually include at least three stages. In the first, the subject is confronted with their mortality; in the second, they see their position in the trophic chain and perceive the energetic connections that unite all living things; in the final stage, they radically modify their desire, which will perhaps allow them to transform, to become someone else.”

July 26th, 2020, Tom

On the occasion of the film festival “Reconstructing Realities,” the Broadway Cinematheque in Hong Kong will show the film “How to live in FRG” (1990) from Harun Farocki.
The screening will take place on Saturday, July 11, 2:30 pm (local time) at the Goethe Institut Hong Kong.
Online booklet: https://bit.ly/bcXForum50

Reconstructing Realities – A Film Programme to Celebrate the 50th Anniversary of the Berlinale Forum

The screening will be followed by the talk “Harun Farocki’s Imitations of Life” with Doreen Mende, co-founder of the Harun Farocki Institut.
Time: Jul 11, 2020 04:00 pm Hong Kong SAR / 10:00 am Berlin time
Language: English

The talk will be held on Zoom, registration here: https://forms.gle/tyLfKLwBYNUutoLz6
After registration, you will receive an email with the link and the login information to join the talk.

https://www.goethe.de/ins/cn/de/sta/hon/ver.cfm?fuseaction=events.detail&event_id=21884136&

July 8th, 2020, HaFI

Avery F. Gordon, in an interview conducted by Katherine Hite and Daniela Jara in Memory Studies:  “Non-participation is one modality of what I call being in-difference. Being in-difference is a political consciousness and a sensuous knowledge, a standpoint and a mindset for living on better terms than we’re offered, for living as if you had the necessity and the freedom to do so, for living in the acknowledgement that, despite the overwhelming power of all the systems of domination which are trying to kill us, they never quite become us. They are, as Cedric J Robinson used to say, only one condition of our existence or being. Running away, living apart, squatting, communing, feral trading, bartering, self-managed currencies, human, debt, labour, knowledge strikes, boycott, divestment, non-policing, throwing your shoe at an occupying president: the ways of non-participation in the given order of things are many, varied and hard to summarize. And they are taken up for a variety of reasons, including the failure or irrelevance of states and the US–European post–World War II social movement model.”

July 7th, 2020, Tom
moreless news