Farocki Now Academy: Live Action Role Play on October 21, 2017, silent green – OPEN CALL & registration

LARP: Brand New Island

Plastic particles have accumulated to form an island the size of Texas in the Antarctic. Cities near coastlines have been shrinking horizontally. As a growing percentage of millennials have lost their desire to work, the UN has set out to fund an experiment, in which these youths will be sent to form a “think tank” in order to populate the plastic island.
In this LARP the four chosen finalists will converge to compete with their extraordinary visions of organizing the future on the island. What will the citizens vote for? An epic VR experience or sunset flirts on the rooftop of a high-end prison?

The event is for registered participants only, who are willing to play an active role in the game. Attendance to the LARP for registered audience only.

O P E N C A L L

If you would like to partake in this event, please send an email with your name to gio.gago@gmail.com
More information in the following PDF:
OPENCALL_lensbased (Farocki Now Academy)

Check out the Open Call video:

October 17th, 2017, Event / Projects
Interface

Sara Ahmed on the perfomativity of disgust (from The Cultural Politics of Emotion, 2004): “To name something as disgusting is to transfer the stickiness of the word ‘disgust’ to an object, which henceforth becomes generated as the very thing that is spoken. The relationship between the stickiness of the sign and the stickiness of the object is crucial to the performativity of disgust as well as the apparent resistance of disgust reactions to ‘newness’ in terms of the generation of different kinds of objects. The object that is generated as a disgusting (bad) object through the speech act comes to stick. It becomes sticky and acquires a fetish quality, which then engenders its own effects.”

November 7th, 2020, Tom

David Graeber (1961-2020) on What Would It Take (from his The Democracy Project. A History, a Crisis, a Movement, 2013, p. 193): “We have little idea what sort of organizations, or for that matter, technologies, would emerge if free people were unfettered to use their imagination to actually solve collective problems rather than to make them worse. But the primary question is: how do we even get there? What would it take to allow our political and economic systems to become a mode of collective problem solving rather than, as they are now, a mode of collective war?”

September 7th, 2020, Tom

T.J. Demos on why cultural practitioners should never surrender, via tranzit.sk:  “For artists, writers, and curators, as art historians and teachers, the meaning-production of an artwork is never finished, never fully appropriated and coopted, in my view, and we should never surrender it; the battle over significance is ongoing. We see that battle rise up in relation to racist and colonial monuments these days in the US, the UK, and South Africa. While the destruction of such monuments results from and is enabling of radical politics, it’s still not enough until the larger institutions that support and maintain their existence as well as the continuation of the politics they represent are also torn down. This is urgent as well in the cultural sphere, including the arts institutions, universities, art markets, discursive sphere of magazines and journals, all in thrall to neoliberalism, where we must recognize that it’s ultimately inadequate to simply inject critical or radical content into these frameworks, which we know excel at incorporating those anti-extractivist expressions into further forms of cultural capital and wealth accumulation. What’s required is more of the building of nonprofit and community-based institutions, organizing radical political horizons and solidarity between social formations.”

August 21st, 2020, Tom
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