Public Screening #12: FOLIE ORDINAIRE D’UNE FILLE DE CHAM (1986, F), Jean Rouch, March 13, 2019, Arsenal Cinema

Public Screening — the Harun Farocki Institut presents:

For our next Public Screening we selected two films by Jean Rouch: FOLIE ORDINAIRE D’UNE FILLE CHAM (1986) and PORTRAIT DE RAYMOND DEPARDON (1983).

Ethnographic film was a constant point of reference for Harun Farocki and offers an example of how film and research are intertwined. Of Jean Rouch’s 12 films in Arsenal’s archive, we will screen one of the least known. FOLIE ORDINAIRE D’UNE FILLE DE CHAM diverges from traditional ethnographic work and is instead a multi-layered media translation. “Taking a text by Julius Amédée Laou, a young author from Martinique, that was staged in the theater by Daniel Mesguish, Jean Rouch transposed the plot to a hospital to give it a ‘scientific’ frame: A psychiatrist named Charcot presents a spectacular case to his colleagues so that they can themselves evaluate it. The viewers are the witnesses of this presentation alongside the doctors.” (Forumsblatt) The film will be preceded by a film in which Raymond Depardon and Jean Rouch film each other filming.

Portrait de Raymond Depardon
F 1983, 16 mm, 11 min, OV

Folie ordinaire d’une fille Cham
F 1986, 16 mm, 79 min, OV/GeS

Public Screening – The Harun Farocki Institut presents

Wed, Mar 13, 2019, 7:30pm
Location: Cinema 2, Arsenal – Institut für Film und Videokunst e.V.
Potsdamer Strasse 2, 10785 Berlin
Free admission

February 27th, 2019, Event / Projects
Interface

Jodi Dean on work in neofeudal times, via Los Angeles Review of Books: “When work is imagined — and some on the left think that we should adopt a ‘postwork imaginary’ — it looks like either romantic risk-free farming or tech-work, ‘immaterial labor.’ By now, the exposés on the drudgery of call center work, not to mention the trauma-inducing labor of monitoring sites like Facebook for disturbing, illicit content, have made the inadequacy of the idea of ‘immaterial labor’ undeniable. It should be similarly apparent that the postwork imaginary likewise erases the production and maintenance of infrastructure, the wide array of labor necessary for social reproduction, and the underlying state structure.”

May 23rd, 2020, Tom

Naomi Klein on the “Screen New Deal” (via The Intercept): “Calling [Bill] Gates a ‘visionary,’ [New York governor Andrew] Cuomo said the pandemic has created ‘a moment in history when we can actually incorporate and advance [Gates’s] ideas … all these buildings, all these physical classrooms — why with all the technology you have?’ he asked, apparently rhetorically. It has taken some time to gel, but something resembling a coherent Pandemic Shock Doctrine is beginning to emerge. Call it the ‘Screen New Deal.’ Far more high-tech than anything we have seen during previous disasters, the future that is being rushed into being as the bodies still pile up treats our past weeks of physical isolation not as a painful necessity to save lives, but as a living laboratory for a permanent — and highly profitable — no-touch future.”

May 11th, 2020, Tom

Andrea Bagnato on Red Zones, isolation, metaphors, blame, risk and coexistence (at e-flux architecture): “[…] the current manifestation of confinement is better thought of not so much as epidemic control, but as a form of risk displacement: a minority of workers is made to keep the economy going so that a majority of the population can stay at home. And the reverse is true as well: millions of people have to put up with extended confinement so that the risk posed by industrial workers doesn’t grow out of control. In the necropolitical calculations of the State, the physical health of workers and the mental health of everyone else are both a price worth paying.”

May 5th, 2020, Tom
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