Public Screening #12: FOLIE ORDINAIRE D’UNE FILLE DE CHAM (1986, F), Jean Rouch, March 13, 2019, Arsenal Cinema
Public Screening — the Harun Farocki Institut presents:
For our next Public Screening we selected two films by Jean Rouch: FOLIE ORDINAIRE D’UNE FILLE CHAM (1986) and PORTRAIT DE RAYMOND DEPARDON (1983).
Ethnographic film was a constant point of reference for Harun Farocki and offers an example of how film and research are intertwined. Of Jean Rouch’s 12 films in Arsenal’s archive, we will screen one of the least known. FOLIE ORDINAIRE D’UNE FILLE DE CHAM diverges from traditional ethnographic work and is instead a multi-layered media translation. “Taking a text by Julius Amédée Laou, a young author from Martinique, that was staged in the theater by Daniel Mesguish, Jean Rouch transposed the plot to a hospital to give it a ‘scientific’ frame: A psychiatrist named Charcot presents a spectacular case to his colleagues so that they can themselves evaluate it. The viewers are the witnesses of this presentation alongside the doctors.” (Forumsblatt) The film will be preceded by a film in which Raymond Depardon and Jean Rouch film each other filming.
Portrait de Raymond Depardon
F 1983, 16 mm, 11 min, OV
Folie ordinaire d’une fille Cham
F 1986, 16 mm, 79 min, OV/GeS
Public Screening – The Harun Farocki Institut presents
Wed, Mar 13, 2019, 7:30pm
February 27th, 2019, Event / Projects
Location: Cinema 2, Arsenal – Institut für Film und Videokunst e.V.
Potsdamer Strasse 2, 10785 Berlin
After all the buzz and clamor caused by the 2019 re-opening of the extended MoMA and the much celebrated rehang of its permanent collection, N+1 publishes a sobering curatorial fantasy (by Claire Bishop and Nikki Columbus) on what should have been done instead to come to terms with the “outrageous disconnect between saying and doing at this museum—the brazen hypocrisy and superficial multiculturalism.”
January 8th, 2020, HaFI
Heute um 18 Uhr hält Volker Pantenburg den Vortrag “‘Zusammensetzen und auseinandernehmen’. Arbeit mit dem Para-Archiv des Harun Farocki Instituts” an der Universität der Künste in Berlin.
January 7th, 2020, HaFI
You have probably watched Ricky Gervais yesterday’s Golden Globe speech already, or read about it, so this is not exactly news to you. Still, it deserves mentioning and posting, particularly if you haven’t seen it yet, notwithstanding all its shortcomings. If simply for the fact that Gervais here shows a welcome (and rare) structural, dialectic, and pretty pitiless understanding of
a) his own debatable role at the ceremony and in the industry as such;
January 6th, 2020, HaFI
b) the game-shifting changes in the media industry caused by monopoly digital streaming platforms such as Netflix, Amazon, Apple;
c) the necessity to (once again) question the public performance of the political amid the liberal Hollywood establishment;
d) the systemic contradiction between “progressive” media content (“quality TV”) and the outrageously destructive economies and technologies on which this content and its providers gleefully rely;
e) the blatant inconsistency in the actions of the media industry people when it comes to not only complaining about racism but actually fight it;