Public Screening #14: HARUN FAROCKI – TAKE TWO, dir. Ingo Kratisch/Lothar Schuster, (G 2019), July 1, 2019, Arsenal Cinema
Five years after Farocki’s sudden death in July 2014, we are turning our public screening into a premiere: HARUN FAROCKI – TAKE TWO (Harun Farocki – Zweimal) connects two different perspectives on the filmmaker. Directors Lothar Schuster (dffb class of 1968) and Ingo Kratisch (dffb class of 1969 and since 1977 cinematographer for many of Farocki’s films) alternate passages from a long conversation with Farocki from 1995 with casual observations recorded by Kratisch and Matthias Rajmann during the shoots for “The Creators of the Shopping Worlds” (Die Schöpfer der Einkaufswelten), “In Comparison” (Zum Vergleich), “Serious Games” (Ernste Spiele) and other films with both photo and video cameras. Two gestures of remembrance, two attempts at grieving. Beforehand, material unearthed in the archive of the Harun Farocki Institute will be shown: text rehearsals for Farocki’s film “Before your Eyes – Vietnam” (Etwas wird sichtbar).
With guests Ingo Kratisch and Lothar Schuster.
Harun Farocki – Take Two
Ingo Kratisch, Lothar Schuster G 2019
Digital file, OV/EnS, 36 min
Test Screens: Before your Eyes – Vietnam
Harun Farocki, FRG circa 1980
Digital file, OV/EnS, 15 min
Public Screening – The Harun Farocki Institut presents
June 28th, 2019, Event / Projects
Mon, July 1, 2019, 7.30 pm, Cinema 1
Location: Arsenal – Institut für Film und Videokunst e.V.
Potsdamer Strasse 2, 10785 Berlin
After all the buzz and clamor caused by the 2019 re-opening of the extended MoMA and the much celebrated rehang of its permanent collection, N+1 publishes a sobering curatorial fantasy (by Claire Bishop and Nikki Columbus) on what should have been done instead to come to terms with the “outrageous disconnect between saying and doing at this museum—the brazen hypocrisy and superficial multiculturalism.”
January 8th, 2020, HaFI
Heute um 18 Uhr hält Volker Pantenburg den Vortrag “‘Zusammensetzen und auseinandernehmen’. Arbeit mit dem Para-Archiv des Harun Farocki Instituts” an der Universität der Künste in Berlin.
January 7th, 2020, HaFI
You have probably watched Ricky Gervais yesterday’s Golden Globe speech already, or read about it, so this is not exactly news to you. Still, it deserves mentioning and posting, particularly if you haven’t seen it yet, notwithstanding all its shortcomings. If simply for the fact that Gervais here shows a welcome (and rare) structural, dialectic, and pretty pitiless understanding of
a) his own debatable role at the ceremony and in the industry as such;
January 6th, 2020, HaFI
b) the game-shifting changes in the media industry caused by monopoly digital streaming platforms such as Netflix, Amazon, Apple;
c) the necessity to (once again) question the public performance of the political amid the liberal Hollywood establishment;
d) the systemic contradiction between “progressive” media content (“quality TV”) and the outrageously destructive economies and technologies on which this content and its providers gleefully rely;
e) the blatant inconsistency in the actions of the media industry people when it comes to not only complaining about racism but actually fight it;