Report on the “light-typing lecture” by Kevin B. Lee, January 14, 2017, silent green

The “light-typing lecture” by HaFI resident Kevin B. Leeat silent green’s Kuppelhalle in Berlin-Wedding introduced a large and attentive audience to the biographical, methodological, theoretical and legal predicaments of a video essayist’s practice in times of increasing pressure of commercializing and streamlining the video essay’s approach to cinema. A brilliant (and moving) lesson of how to navigate a post-cinema small screen reality where watching films has become a multitask, short attention span, data-mined occupation of dealing with the massive availability of parergonal information and the vertiginious referential depths of the internet while at the same time trying to adapt to continuously changing platforms and demands (and sometimes refusing to be adaptive). Kevin’s performative lecture, in which he didn’t speak himself but rather typed away for everyone to see, letting his work speak for him, made tangible the joys and the pressures provided by the desktop as a laboratory and studio environment. Kevin also shared with us the most recent, disillusioning experience with his long-time employer, the film website Fandor, that overnight took down almost 200 of his video essays, for dubious “copyright” reasons. The work of years – vanished from sight (though some of it, thank god, retrievable at Kevin’s Vimeo presence. During the upcoming months, Kevin will investigate the irregular circulation of digital copies and rips of works by Harun Farocki as well as continue (together with Chloé Galibert-Lâiné) research into Daesh’s visual production and its circulation.

Film stills (c) Melina Pafundi

January 16th, 2017, 2016 / Residency
Interface

Brought to our attention by Derek Gregory via his resourceful Geographical Imaginations blog: an open call for contributions to the “Corona Notebooks” of Warscapes, a recommended independent online magazine “that provides a lens into current conflicts across the world.” Warscapes is looking for short, 2-3 minute videos “of yourself thinking about this pandemic, maybe accessing a previous memory, maybe reporting on an injustice, maybe narrating a sweet fragment from your daily life, maybe recounting a second chance that this pandemic gave you, maybe telling us about a loved one you reconnected with, maybe you’ve seen a movie or read a book that was powerful, maybe telling us about having the illness. The tone, the tale, the genre and the language is yours to choose. There is an overwhelming amount of news and information but we will together weave an emotionally vibrant and artistic tapestry.”

April 3rd, 2020, Tom

Almost too good to be true in these times of pandemically enforced streaming: Means TV claims to be “the world’s first worker-owned, post-capitalist streaming service,” “entirely funded by people like you.” It has “a library of films, documentaries, and shows with new programming added all the time,” as well “live weekly shows covering news, the working class, gaming and sports. All available to subscribers for $10/month across desktop, mobile and smart TV devices like Roku, Fire and Apple TV. No advertisements or product placements. No corporate backers or VC cash ever.” See also the respective article at Hyperallergic.

April 1st, 2020, Tom

After all the buzz and clamor caused by the 2019 re-opening of the extended MoMA and the much celebrated rehang of its permanent collection, N+1 publishes a sobering curatorial fantasy (by Claire Bishop and Nikki Columbus) on what should have been done instead to come to terms with the “outrageous disconnect between saying and doing at this museum—the brazen hypocrisy and superficial multiculturalism.”

January 8th, 2020, HaFI
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