Tag: Doreen Mende

HaFI's new artistic research project "Terms and Conditions. The Legal Form of Images" will inquire into the largely overlooked (or willfully ignored) legal and paralegal frameworks which increasingly inform the contemporary art and visual culture.

Volume 5, now released, brings together all of the texts published in the years 1986-2000 and offers insights into some of Farocki's seminal cinematic and installation works from this period.

In HaFI 014, artist Elske Rosenfeld reflects on the reading of the fragmentary archival materials for Farocki's unfinished film "Hard Selling" (1991) with her own text/image essay.

A dossier consisting of documents and images on the "prison images" complex from the HaFI archive, compiled by HaFI.

The issue #109 Navigation Beyond Vision II of the e-flux journal is now online.

Shouldn’t this crisis demand an urgent politics of the domestic, specifically of those who have the privilege to #stayathome? By DOREEN MENDE

Navigation begins where the map ends (...).

See German post.

A forum for workshops, presentations, and debates which explore the contemporary relevance of Harun Farocki’s work and thought, placing it in new contexts and activating its productive potential

The talk will include the screening of "Ronny und Harun spielen Theater" which is a short documentary of a staged scene from “Etwas wird sichtbar” (“Before Your Eyes Vietnam”), 1982.

‘What is navigation?’ inquires the curatorial seminar 2016/17 of the CCC Research-Based Master Programms / Visual Arts Department of HEAD – Geneva.

A working paper by Farocki (1975/76), a commentary by Tom Holert, Doreen Mende and Volker Pantenburg followed by a letter by Peter Nestler.

The Harun Farocki Institut (HaFI) is a charitable foundation trust established in 2015. Its official bodies, in accordance with the Articles of Association, are the Board of ...

Imprint: Harun Farocki Institut silent green Kulturquartier Plantagenstraße 31 D-13347 Berlin Germany Phone +49 (0)30 46 06 24 70...