Interface

Sara Ahmed on the perfomativity of disgust (from The Cultural Politics of Emotion, 2004): “To name something as disgusting is to transfer the stickiness of the word ‘disgust’ to an object, which henceforth becomes generated as the very thing that is spoken. The relationship between the stickiness of the sign and the stickiness of the object is crucial to the performativity of disgust as well as the apparent resistance of disgust reactions to ‘newness’ in terms of the generation of different kinds of objects. The object that is generated as a disgusting (bad) object through the speech act comes to stick. It becomes sticky and acquires a fetish quality, which then engenders its own effects.”

November 7th, 2020, Tom

David Graeber (1961-2020) on What Would It Take (from his The Democracy Project. A History, a Crisis, a Movement, 2013, p. 193): “We have little idea what sort of organizations, or for that matter, technologies, would emerge if free people were unfettered to use their imagination to actually solve collective problems rather than to make them worse. But the primary question is: how do we even get there? What would it take to allow our political and economic systems to become a mode of collective problem solving rather than, as they are now, a mode of collective war?”

September 7th, 2020, Tom

T.J. Demos on why cultural practitioners should never surrender, via tranzit.sk:  “For artists, writers, and curators, as art historians and teachers, the meaning-production of an artwork is never finished, never fully appropriated and coopted, in my view, and we should never surrender it; the battle over significance is ongoing. We see that battle rise up in relation to racist and colonial monuments these days in the US, the UK, and South Africa. While the destruction of such monuments results from and is enabling of radical politics, it’s still not enough until the larger institutions that support and maintain their existence as well as the continuation of the politics they represent are also torn down. This is urgent as well in the cultural sphere, including the arts institutions, universities, art markets, discursive sphere of magazines and journals, all in thrall to neoliberalism, where we must recognize that it’s ultimately inadequate to simply inject critical or radical content into these frameworks, which we know excel at incorporating those anti-extractivist expressions into further forms of cultural capital and wealth accumulation. What’s required is more of the building of nonprofit and community-based institutions, organizing radical political horizons and solidarity between social formations.”

August 21st, 2020, Tom
moreless news

Tag: Doreen Mende

AMERICA – Films from Elsewhere (ed. Shanay Jhaveri): HaFI Contribution

A dossier consisting of documents and images on the "prison images" complex from the HaFI archive, compiled by HaFI.

May 26th, 2020, Projects / Publication
e-flux journal: Navigation Beyond Vision II

The issue #109 Navigation Beyond Vision II of the e-flux journal is now online.

May 26th, 2020, Projects / Publication
The live-stream’s split-screen, or, Urgent domestic politics

Shouldn’t this crisis demand an urgent politics of the domestic, specifically of those who have the privilege to #stayathome?

April 5th, 2020, 02 / Rosa Mercedes
e-flux & HaFI Conference: Art After Culture: Navigation Beyond Vision, April 5 & 6, 2019, HKW, Berlin

Navigation begins where the map ends (...).

February 27th, 2019, Event / Projects
Writings, Vol. 2: Kaja Silverman / Harun Farocki: Speaking about Godard (German edition)

See German post.

December 16th, 2017, Projects / Publication
Program: “Farocki Now: A Temporary Academy”, October 18-21, 2017, HKW & silent green, Berlin

A forum for workshops, presentations, and debates which explore the contemporary relevance of Harun Farocki’s work and thought, placing it in new contexts and activating its productive potential

September 18th, 2017, Event / Projects
Forum Expanded: Think Film No. 5: Archival Constellations, February 16, 2017, silent green

The talk will include the screening of "Ronny und Harun spielen Theater" which is a short documentary of a staged scene from “Etwas wird sichtbar” (“Before Your Eyes Vietnam”), 1982.

February 16th, 2017, Event / Projects
Curatorial Seminar: What is navigation? September 2016 – June 2017, HEAD, Geneva

‘What is navigation?’ inquires the curatorial seminar 2016/17 of the CCC Research-Based Master Programms / Visual Arts Department of HEAD – Geneva.

September 5th, 2016, Projects / Research
HaFI 002: Harun Farocki: What Ought to Be Done

A working paper by Farocki (1975/76), a commentary by Tom Holert, Doreen Mende and Volker Pantenburg followed by a letter by Peter Nestler.

August 17th, 2016, Projects / Publication
Institute

The Harun Farocki Institut (HaFI) is a charitable foundation trust established in 2015. Its official bodies, in accordance with the Articles of Association, are the Board of ...

January 23rd, 2016,
Imprint

Imprint: Harun Farocki Institut silent green Kulturquartier Plantagenstraße 31 D-13347 Berlin Germany Phone +49 (0)30 46 06 24 70...

January 23rd, 2016,