HaFI präsentiert #02: HARD SELLING, R: Harun Farocki, (BRD 1991), 20. November, Arsenal Kino

Politische Systemwechsel produzieren Bilder, Wörter und Töne. Das Harun Farocki Institut präsentiert den unvollendeten Film HARD SELLING (Harun Farocki), Gespräche eines Adidas-Handelsreisenden in Brandenburg 1991, die den Übergang der DDR in ein markt-kapitalistisches System anhand von Artikeln für Sport und Freizeit beschreiben.

Alice Creischer und Andreas Siekmann können leider nicht, wie im Arsenal-Programm angekündigt, zu Gast sein. Die Veranstaltung mit ihnen wird nachgeholt.

Neben HARD SELLING wird stattdessen ein halbstündiger Ausschnitt aus Peter Delpeut’s Fernsehfilm DE TIJDMACHINE (1996) zu sehen sein, in dem Farocki Material aus VIDEOGRAMME EINER REVOLUTION (co-Regie Andrei Ujica) zeigt und über das Verhältnis von Kamera und Geschichte spricht.

Hard Selling (unvollendet)
Harun Farocki BRD 1991
Digital file 23 min

De Tijdmachine
Peter Delpeut NLD 1996
Digital file 30 min (Auszug)

Das Harun Farocki Institut präsentiert
Mi, 20.11.2019, 19.00h, Kino 2
Ort: Arsenal – Institut für Film und Videokunst e.V.
Potsdamer Straße 2, 10785 Berlin
Eintritt: 8 Euros / 5 Euros (Mitglieder) / 3 Euros (Kinder/Berlin-Pass)

Eine Veranstaltung im Rahmen von Archive Außer Sich

15.11.2019, Projekte / Veranstaltung

Sara Ahmed on the perfomativity of disgust (from The Cultural Politics of Emotion, 2004): “To name something as disgusting is to transfer the stickiness of the word ‘disgust’ to an object, which henceforth becomes generated as the very thing that is spoken. The relationship between the stickiness of the sign and the stickiness of the object is crucial to the performativity of disgust as well as the apparent resistance of disgust reactions to ‘newness’ in terms of the generation of different kinds of objects. The object that is generated as a disgusting (bad) object through the speech act comes to stick. It becomes sticky and acquires a fetish quality, which then engenders its own effects.”

07.11.2020, Tom

David Graeber (1961-2020) on What Would It Take (from his The Democracy Project. A History, a Crisis, a Movement, 2013, p. 193): „We have little idea what sort of organizations, or for that matter, technologies, would emerge if free people were unfettered to use their imagination to actually solve collective problems rather than to make them worse. But the primary question is: how do we even get there? What would it take to allow our political and economic systems to become a mode of collective problem solving rather than, as they are now, a mode of collective war?“

07.09.2020, Tom

T.J. Demos on why cultural practitioners should never surrender, via tranzit.sk:  „For artists, writers, and curators, as art historians and teachers, the meaning-production of an artwork is never finished, never fully appropriated and coopted, in my view, and we should never surrender it; the battle over significance is ongoing. We see that battle rise up in relation to racist and colonial monuments these days in the US, the UK, and South Africa. While the destruction of such monuments results from and is enabling of radical politics, it’s still not enough until the larger institutions that support and maintain their existence as well as the continuation of the politics they represent are also torn down. This is urgent as well in the cultural sphere, including the arts institutions, universities, art markets, discursive sphere of magazines and journals, all in thrall to neoliberalism, where we must recognize that it’s ultimately inadequate to simply inject critical or radical content into these frameworks, which we know excel at incorporating those anti-extractivist expressions into further forms of cultural capital and wealth accumulation. What’s required is more of the building of nonprofit and community-based institutions, organizing radical political horizons and solidarity between social formations.“

21.08.2020, Tom
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