Interface

Sara Ahmed on the perfomativity of disgust (from The Cultural Politics of Emotion, 2004): “To name something as disgusting is to transfer the stickiness of the word ‘disgust’ to an object, which henceforth becomes generated as the very thing that is spoken. The relationship between the stickiness of the sign and the stickiness of the object is crucial to the performativity of disgust as well as the apparent resistance of disgust reactions to ‘newness’ in terms of the generation of different kinds of objects. The object that is generated as a disgusting (bad) object through the speech act comes to stick. It becomes sticky and acquires a fetish quality, which then engenders its own effects.”

November 7th, 2020, Tom

David Graeber (1961-2020) on What Would It Take (from his The Democracy Project. A History, a Crisis, a Movement, 2013, p. 193): “We have little idea what sort of organizations, or for that matter, technologies, would emerge if free people were unfettered to use their imagination to actually solve collective problems rather than to make them worse. But the primary question is: how do we even get there? What would it take to allow our political and economic systems to become a mode of collective problem solving rather than, as they are now, a mode of collective war?”

September 7th, 2020, Tom

T.J. Demos on why cultural practitioners should never surrender, via tranzit.sk:  “For artists, writers, and curators, as art historians and teachers, the meaning-production of an artwork is never finished, never fully appropriated and coopted, in my view, and we should never surrender it; the battle over significance is ongoing. We see that battle rise up in relation to racist and colonial monuments these days in the US, the UK, and South Africa. While the destruction of such monuments results from and is enabling of radical politics, it’s still not enough until the larger institutions that support and maintain their existence as well as the continuation of the politics they represent are also torn down. This is urgent as well in the cultural sphere, including the arts institutions, universities, art markets, discursive sphere of magazines and journals, all in thrall to neoliberalism, where we must recognize that it’s ultimately inadequate to simply inject critical or radical content into these frameworks, which we know excel at incorporating those anti-extractivist expressions into further forms of cultural capital and wealth accumulation. What’s required is more of the building of nonprofit and community-based institutions, organizing radical political horizons and solidarity between social formations.”

August 21st, 2020, Tom
moreless news

Tag: Video Essay

Rosa Mercedes is the online journal of the Harun Farocki Institut. It is hosted by varying editors and provide writings, video essays, diaristic texts, reviews etc.

The HaFI began its residency program at the end of 2016 with Kevin B. Lee a video essayist from Chicago and pioneer of the “desktop documentary”. Kevin’s residency at the HaFI was accompanied by events in Berlin and other locations as well as a residency blog. (Click here for the blog). He spent December 2016 to March 2017 in Berlin.

Essay Film Festival 2017: Thinking Cinema on Television

See German post.

March 10th, 2017, Projects / Research
Kevin B. Lee in the Tageszeitung newspaper

See German post.

February 6th, 2017, 2016 / Residency
Presentation: Kevin B. Lee and Chloé Galibert-Laîné, February 6, 2017, FU Berlin

Formulating a poetic framework to explore the contemporary landscape of media and terror.

January 31st, 2017, 2016 / Residency
Report on the “light-typing lecture” by Kevin B. Lee, January 14, 2017, silent green

A brilliant (and moving) lesson of how to navigate a post-cinema small screen reality.

January 16th, 2017, 2016 / Residency
Event: Kevin B. Lee, January 14, 2017, silent green

Kevin B. Lee will give a „light-typing lecture“ introducing his works and practice.

January 6th, 2017, 2016 / Residency
Kevin B. Lee in the Süddeutschen Zeitung newspaper

See German post.

January 6th, 2017, 2016 / Residency
[First] HaFI residency fellow: Kevin B. Lee

Kevin B. Lee will be the first guest of the Harun Farocki residency from the middle of December onwards

November 30th, 2016, 2016 / Residency