Öffentliche Sichtung #02: Ann und Eduardo Guedes et al., Rocinante, 17. März 2017, Arsenal


Freitag, 17. März 2017
19.30 Uhr
Arsenal, Kino 2

Großbritannien, Mitte der 1980er Jahre: Der Triumph des Neoliberalismus im Reich von Margaret Thatcher scheint unumkehrbar, da drehen Ann und Eduardo Guedes, zwei langjährige Mitglieder des 1968 gegründeten sozialistischen Dokumentarfilmkollektivs Cinema Action, ihren ersten Spielfilm: ROCINANTE (GB, 1986) ist ein mythologisches Roadmovie, eine Squatter- und Hackerstory mit John Hurt, Maureen Douglass, Ian Dury, Carol Gillies und anderen. Die Analysen zu Britishness und gesellschaftlich produzierter Landschaft von Raymond Williams werden mit der dramatischen Bukolik der Filme von Michael Powell und Emeric Pressburger und dem transgressiven Traumengland Derek Jarmans amalgamiert. Wir kennen den Film nicht, aber wir sind neugierig, wie die Verbindung von dokumentarischer und fiktionaler Praxis, ein Problem, mit dem sich auch Harun Farocki in den 1970er und 1980er Jahre konfrontiert sah, hier ausgeht.

A mythological road movie, a squatter and hacker story. Raymond Williams meets Powell/Pressburger and Derek Jarman.

Ann und Eduardo Guedes: Rocinante, GB 1986, mit John Hurt, Maureen Douglass, Ian Dury, Carol Gillies und anderen, 35mm, 93 min

Informationen über Rocinante und „Cinema Action“ hier (PDF).

17.03.2017, Projekte / Veranstaltung
Schnittstelle

Jodi Dean on work in neofeudal times, via Los Angeles Review of Books: „When work is imagined — and some on the left think that we should adopt a ‚postwork imaginary‘ — it looks like either romantic risk-free farming or tech-work, ‚immaterial labor.‘ By now, the exposés on the drudgery of call center work, not to mention the trauma-inducing labor of monitoring sites like Facebook for disturbing, illicit content, have made the inadequacy of the idea of ‚immaterial labor‘ undeniable. It should be similarly apparent that the postwork imaginary likewise erases the production and maintenance of infrastructure, the wide array of labor necessary for social reproduction, and the underlying state structure.“

23.05.2020, Tom

Naomi Klein on the „Screen New Deal“ (via The Intercept): „Calling [Bill] Gates a ‚visionary,‘ [New York governor Andrew] Cuomo said the pandemic has created ‚a moment in history when we can actually incorporate and advance [Gates’s] ideas … all these buildings, all these physical classrooms — why with all the technology you have?‘ he asked, apparently rhetorically. It has taken some time to gel, but something resembling a coherent Pandemic Shock Doctrine is beginning to emerge. Call it the ‚Screen New Deal.‘ Far more high-tech than anything we have seen during previous disasters, the future that is being rushed into being as the bodies still pile up treats our past weeks of physical isolation not as a painful necessity to save lives, but as a living laboratory for a permanent — and highly profitable — no-touch future.“

11.05.2020, Tom

Andrea Bagnato on Red Zones, isolation, metaphors, blame, risk and coexistence (at e-flux architecture): „[…] the current manifestation of confinement is better thought of not so much as epidemic control, but as a form of risk displacement: a minority of workers is made to keep the economy going so that a majority of the population can stay at home. And the reverse is true as well: millions of people have to put up with extended confinement so that the risk posed by industrial workers doesn’t grow out of control. In the necropolitical calculations of the State, the physical health of workers and the mental health of everyone else are both a price worth paying.“

05.05.2020, Tom
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